They say opportunity doesn’t knock twice, an overused saying, perhaps, but one that perfectly defines Abarnathy’s entry into Tamil cinema. Yes, she was once part of the infamous TV show Enga Veetu Mapillai, but her journey didn’t stop there.

A fashion designer who once envisioned a quiet life as a boutique owner, Abarnathy’s life changed when she was offered a chance to step onto the big screen. Since then, she has been on a relentless pursuit of perfection. She isn’t here just to exist in the industry; she wants to carve a niche for herself. How many actors can you name who have gained and lost weight for the same film? She is one of them. And that’s just the beginning; there’s so much more to come from her.

1. You were first introduced to the Tamil audience through the reality show Enga Veetu Mapillai, before moving on to films. Can you share what your journey looked like before that turning point?
Before Enga Veetu Mapillai with Arya, my dream was to become a model. That’s why I pursued Fashion Technology, and during my college days, I actively participated in several events, including walking the ramp for jewellery brands. Those opportunities eventually paved the way for me to be part of the show. So, before that life-changing reality show, my journey was very much rooted in modelling.

2. If not for the magical world of cinema, where do you think life would have taken you?
If I hadn’t entered the cinema, I think my life would have taken a very usual path. I might have been married by now and probably running a boutique as an entrepreneur. Since my family is based in the UAE, I would have likely settled there and opened the boutique. In fact, I’m currently working on launching my own cosmetics and boutique line—we’ve applied for the license and the process is underway. Running a boutique has always been one of my ambitions, which is also why I chose to study fashion technology.

3. In just five years, your career has seen its fair share of highs and challenges. Yet, you’ve always managed to bounce back stronger. What’s the philosophy or mantra that keeps you going in such a competitive industry?
I don’t follow any particular mantra or philosophy, nor do I plan or orchestrate anything deliberately.

4. In an industry where female leads often struggle to leave a lasting impact, you’ve carved memorable performances — Pavitra in Irugapatru being a standout, especially with your remarkable physical transformation. Such efforts come only from deep passion. What motivated you to push yourself that far?
I chose Pavitra because the script felt simple, and it was a big production—SR Prabhu sir’s banner. I had to gain and then lose weight over nine months, which was mentally and physically challenging. Losing weight quickly was tough, my body went into shock, causing pimples and menstrual issues—but following my dietician’s guidance helped me through it. I wanted this character to stand out among the two other couples in the film. Shraddha ma’am and Saniya were familiar faces, so I aimed to retain attention on me, which is why I went through such a hard process.

When you watch my films, each character differs in tone, appearance, and personality. It takes time for the audience to recognize me, and that variety has become my signature over 4–5 films. I consider it a blessing to play such diverse roles and look forward to continuing this path.

5. Cinema often draws a line between glamorous, mainstream roles and characters of depth and substance. Which space do you feel most drawn to — or do you see yourself balancing both worlds?
There was a time when women in cinema were limited to glamorous or emotional roles, often with minimal screen presence, sometimes just like part of the set. Only a few received recognition. Now, things have changed with many female-centric films, and it’s been my performances that have brought me this far.

In cinema, glamour doesn’t last long. For models, it’s fine, but in films, you need to perform to sustain a long career, like Fahadh Faasil sir, Prakash Raj sir, and many others. Among current actors, Pradeep Ranganathan stands out for his unique roles, as does Manikandan sir. I believe the only way to establish yourself, especially as a female artist, is through strong performances and the characters you portray

6. Who is the one actress you look up to, and what about her inspires you?
For me, it’s Alia Bhatt. She balances her personal and professional life beautifully. Even after becoming a mother, nothing has changed; she continues to deliver powerful performances. Despite accusations about Botox and fillers, her work speaks for itself. Gangubai was such an impressive performance and watching her has inspired me a lot. I admire her both on-screen and off-screen, and she’s someone I always look up to.

In the Tamil industry, it’s Trisha ma’am. She has been entertaining us for over 20 years, which is truly remarkable. Beyond her performances, she carries herself with positivity and grace, everything about her is admirable.

7. Finally, can you give us a glimpse into your upcoming projects? Is there a character in particular that audiences should be excited about?
Kaalidas 2 starring Bharath sir has five main leads, and I play a very important role in it. Vengeance, on the other hand, is a female-centric film that I consider a major milestone. It carries multiple emotions and gives me a character that truly elevates my skills. After Irugapatru, this film will add to my profile, name, and recognition. Both films are expected to be released this year. Apart from that, I have two interesting web series in the pipeline and a refreshing new character in my Telugu debut.